01
Stripped.
— To allow space for your laziness.
The chair stems from observing the lazy habit of tossing clothes onto a seat. Its form takes inspiration from a wooden board that appears torn into three parts, which become the seat, the support, and the two raised ends for hanging clothes, connected through a mortise and tenon joint. The unfolded tripartite structure allows garments or bags to be placed freely and expresses the idea that even when we strip away our socialized layers, laziness remains an intrinsic part of who we are.
Druglife
— Coffee tables as medicine: a must, implanted by consumerism.
From pill packaging to a storage-style coffee table, the transformation of necessities into consumer goods is not merely a redefinition of everyday forms. It also reflects a product-driven metaphorical trend that disguises consumer desire as something essential.
“I know my life has been slowly eroded by consumerism, yet I cling to it as helplessly as a patient depends on medicine.”
03
Series Mossy
— When moss serves as a material for traces of time, can packaging still remain static?
“Series Mossy” is a project inspired by Fujigoke, a new type of moss material. This moss changes color from green to yellowish-brown about a year after being opened.
The project focuses on container- and packaging-related products, combining Fujigoke with a biodegradable, water-soluble seaweed-based rubber material.
The Series Mossy collection includes a tea bag package, a face cream box, and a piggy bank. It
showcases the use of moss as a material embodying the dynamics of time, presenting a new vision for packaging design.
Griftglow
— A table lamp derived from the structure of a wine glass rack.